Research and Teaching Interests: Religion and secularism, death and immortality, science and technology, futurism, body, materiality, time and temporality, visual ethnography; Russia, Eurasia, Inner Asia, Siberia.
Anya Bernstein’s first book, Religious Bodies Politic: Rituals of Sovereignty in Buryat Buddhism (University of Chicago Press 2013), explored the transformation of Buddhist practice among a Siberian indigenous people known as Buryats, foremost through their post-Soviet renewal of transnational ties with their fellow co-religionists across north and south Asia. To capture these issues ethnographically, Bernstein conducted multi-sited field research in Buryat communities in Siberia as well as in Tibetan monasteries in India where some Buryat monks currently receive their religious education. The book focused on the ways in which religion and politics have intersected under conditions of rapid social change in terms raised by recent work on sovereignty and postsocialism.
Religious Bodies Politic was winner of the Award for Excellence in the Study of Religion from the American Academy of Religion in 2014; and an Honorable Mention for the Davis Center Book Prize in Political and Social Studies from ASEEES, the Association for Slavic, East European, and Eurasian Studies, the same year.
Her second book, The Future of Immortality: Remaking Life and Death in Contemporary Russia, is forthcoming with Princeton University Press in 2019. It explores how, from the mid-nineteenth century onward in Russia, the Soviet Union, and now the Russian Federation, an uncommonly wide range of actors has pursued the dream of achieving human immortality. Beginning with a long line of Russian philosophers, to the experiments of Soviet-era scientists, and with global implications felt today in Silicon Valley and beyond, the conjunctions of body, mind, and being have been in steady motion, pressing at the very limits of death itself. In a rich ethnography that traverses contemporary Russian culture and politics, Bernstein documents these remarkable technoscientific and religious futurisms. She traces the complex roots of this phenomenon in particular histories of visionary social and biological engineering, space exploration, Soviet philosophies of time, and shifting narratives of the human condition produced by scientific and technological advances in the twentieth century and today. From the titans of Russian tech firms to the owners of a smaller-scale cryonics outfit and their clients, alongside Russian Orthodox followers of the charismatic thinker Nikolai Fedorov, academic scientists in the field of biogerontology, and grassroots neurotechnology enthusiasts, Bernstein carefully explores what is at stake in such pursuits. What do they portend for the very idea of the human?
Bernstein also published widely on the issues of religion, secularism, art and censorship in contemporary Russia, particularly on the moral dilemmas that have animated passions behind recent post-Soviet culture wars, such as the conflicts between contemporary artists, the Russian Orthodox Church, and society at large. She also published on the battles over religious relics, issues of end-of-life care, and politics of shamanic tourism in Russia.
As a visual anthropologist Bernstein has directed, filmed, and produced several award-winning documentary films on Buryat Buddhism and shamanism, including Join Me in Shambhala (2002) and In Pursuit of the Siberian Shaman (2006).
Bernstein was honored to have her work generously supported by a number of external research and writing fellowships, including National Science Foundation, Fulbright, Social Science Research Council, and Wenner-Gren Foundation Fellowships for field research, Mellon/American Councils of Learned Societies and Luce/ACLS writing fellowships, Michigan Society of Fellows Postdoctoral Fellowship, and Social Science Research Council Fellowship for Transregional Research. Her articles have appeared in American Ethnologist, American Anthropologist, Cultural Anthropology, Comparative Studies in Society and History, Public Culture, Critical Inquiry, Anthropology Today, Ab Imperio, Inner Asia, Sibirica: Journal for Siberian Studies, and Mongolian Studies. Bernstein’s films have been screened at numerous ethnographic film festivals around the world and are widely used in university classrooms for courses on anthropology of religion, globalization, tourism, Asian and Russian studies, and indigenous societies.
Bernstein holds a BS in Linguistics from Georgetown University, an MA in Visual Anthropology from the University of Manchester, and a PhD in Anthropology from New York University. From 2010 to 2012 she was a Postdoctoral Fellow at the Michigan Society of Fellows.
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